Thinking about upgrading your gear? Now is the perfect time. Trade in any working camera from any brand to upgrade to the latest high-performance EOS R System Camera. * Offer valid from July 11th t...
Thinking about upgrading your gear? Now is the perfect time. Trade in any working camera from any brand to upgrade to the latest high-performance EOS R System Camera. * Offer valid from July 11th to August 14th, 2025. While supplies last. Visit www.canoncreatorlab.ca/offers for full terms and conditions.
The EOS R5 Mark II is a worthy successor to the incredibly versatile EOS R5 bringing a host of new features that make this the most powerful EOS 5 series camera ever. It starts with a brand-new 45MP sensor that is back illuminated and stacked for blazingly fast read-out speeds that allow for a 30 fps electronic shutter, then builds on that with major focus improvements, increased video capabilities, and so much more.
MSRP: $5,899.99
Item Code: 6536C002
Learn more about the features of the EOS R5 Mark II.
The DIGIC Accelerator chip is a completely new front-end processor developed by Canon to supplement the power of the proven DIGIC X processor. The DIGIC Accelerator handles the processing that makes so many of the new features of this camera possible, allowing the DIGIC X chip to focus solely on image processing, again contributing to incredible speed. The DIGIC Accelerator processes large volumes of data directly from the image sensor for actions like AF detection to exposure metering calculations that enable eye-control focus, subject identification and tracking, and even deep learning with features like neural upscaling and noise reduction.
Even though the pixel count is the same as the EOS R5, this is a completely new 45MP sensor design. This new full-frame sensor is stacked and back-illuminated allowing for incredible electronic shutter performance of 30 fps RAW or full-resolution JPEG still images. Sensor read-out speeds are dramatically increased, significantly reducing rolling shutter distortion. Pre-continuous shooting is now possible in electronic shutter mode, when the shutter is pressed halfway the camera begins capturing images, and when fully pressed, the previous ½-second of images are written to the memory card.
Autofocus has been significantly updated on the EOS R5 Mark II with features like subject tracking which it shares with the new flagship EOS R1. Subject tracking allows you to maintain focus on a subject even when they are obscured briefly while shooting. And, for even faster positioning of your active AF Area, the R5 Mark II adds Canon’s Eye Control AF - even more advanced than the Eye Control in the EOS R3 camera. Once you calibrate the viewfinder to your eye, just look where you want to focus, and the AF Area will move there when you press the AF activation button.
Thanks again to the increased camera processing power of the DIGIC Accelerator chip, we have developed a new AF mode called Action priority. This new focusing technology selects subjects according to movement and other factors so you always get a great action shot! This feature works with three sports at the moment, soccer, volleyball, and basketball. With Action priority the camera can recognize and track specific people, and takes into account ball tracking, movement tracking, eye-control AF and more to help ensure you get the action shot you want when everything is moving so fast.
With its 45MP sensor, 8K video up to 60 frames per second can be recorded internally, to the camera’s CFexpress card (sold separately). A new menu now includes Cinema EOS terminology, making it even easier for users to access and understand the video features of this camera, and be easily integrated into video productions where Cinema EOS cameras may be used like the EOS C70 or EOS C400. RAW video can be recorded at 8K resolution, and there’s now an S-RAW setting for 4K RAW video recording.
RAW video is now 14-bit recording, for even greater range of tonalities. For users who don’t need RAW video, MP4-type video can be recorded in a multitude of possible file types and resolutions, from Full HD (at up to 240 frames per second), 4K at up to 120 frames per second with sound and 8K. Any of the “Fine” options record oversampled video, for even greater sharpness and detail. Canon Log 2 and C-Log 3 are available. And, the R5 Mark II adds features like a full-size HDMI port on the camera, Waveform monitors, and up to 24-bit, 4-channel audio recording.
With all of the enhancements to the new EOS R5 Mark II, it requires a little more power than the previous EOS Mirrorless cameras, and therefore ships with a new, higher amperage battery, the LP-E6P. This battery is the same size and shape of previous LP batteries, but is easily distinguished from older models by featuring a white stripe and white Canon logo. This new battery can be used in older Canon mirrorless and even DSLR cameras, but will require a camera firmware update to do so.
* Canon LP-E6N and LP-E6NH battery packs can be used in the R5 Mark II camera, but with some significant limitations - - especially Wi-Fi connection, and for video recording. Also, continuous Drive speeds with mechanical or first-curtain electronic shutter will be reduced. This applies to any battery in any of the optional battery grips as well.
A new Electronic viewfinder is now the same 0.5-inch 5.76 million dot OLED EVF you would find in the EOS R3 with approx. 100% coverage, 0.76x magnification, and an eyepoint of approx. 24mm. Some of the EVF lenses inside the body are sealed in an airtight structure making it difficult for the viewfinder to fog up.
The EOS R5 Mark II is dust- and weather-resistant, with the same performance as the EOS R5, even when using one of the new optional grips.
Whether you are shooting photos every day, or are recording 8K videos, the EOS R5 Mark II camera can capture an incredible amount of images through its super high-speed CFexpress dual card slots. Plus a UHS-II SD*** card slot is also provided at your disposal. The two card slots can be utilized for separate recording of still photos and movies, main and proxy recording of movies, and recording to multiple cards.
** Type B compatible. With firmware v.2.0.0 and above, camera can accept CFexpress cards over 2TB in capacity. With these cards, the camera can write to the first 2TB (only) of total card capacity.
*** Some types of data cannot be saved on the SD memory card.
The EOS R5 Mark II has the same 5-axis in-body stabilization as the original R5 that provides optimal image stabilization, and uses coordinated IS in conjunction with RF lenses that have built-in IS. Roll operation range is now approx. 2xthat of the EOS R3, and when a compatible lens is used*3, the CMOS sensor suppresses blurring at the periphery of the image, and even at the center. Additionally, the IS algorithm has been updated and a new mechanical design now allows for 8.5 stops of coordinated correction at the center, and 7.5 stops at the periphery*1*2*3
*1: Based on the CIPA 2024 standard. In yaw, pitch, and roll directions. Lens names: (TBD)
*2: Excluding Cinema lenses.
*3: For compatible lenses, please refer to Supplemental Information for EOS R5 Mark II on the website cam.start.canon.
The EOS R5 Mark II has three optional grips that provide additional battery power and exciting new functionality:
Battery grip BG-R20:
Allows for 2 LP batteries and provides controls for vertical shooting, including an improved multi-controller position.
Battery grip BG-R20EP:
Allows for 2 LP batteries and provides controls for vertical shooting and includes a 2.5G Base-T high-speed ethernet port for fast-paced tethered shooting.
Cooling fan CF-R20EP:
Allows for 2 LP batteries and provides a multi-speed fan to help keep the camera cool in challenging video production situations.
See complete specifications for the EOS R5 Mark II.
Type | Digital interchangeable lens mirrorless camera |
Image Processor | DIGIC X (with DIGIC Accelerator co-processor) |
Recording Media | Card 1: CFexpress memory card
Card 2: SDXC/SDHC/SD memory card
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Compatible Lenses | Canon RF lens group (including RF-S lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses) |
Lens Mount | Canon RF mount |
Type | Canon designed full-frame back-illuminated stacked CMOS sensor |
Effective Pixels | Approx. 45 megapixels |
Sensor Size | Approx. 36.0 x 24.0 mm |
Pixel Size | Approx. 4.40 μm square |
Total Pixels | Approx. 50.3 megapixels |
Aspect Ratio | 3:2 (Horizontal: Vertical) |
Colour Filter System | RGB primary colour filters |
Low Pass Filter | Installed in front of the image sensor, non-detachable |
Dust Deletion Feature | (1) Self Cleaning Sensor Unit
(2) Dust Delete Data acquisition and appending
(3) Manual cleaning (by hand) |
Recording Format | Compliant to Design rule for Camera File system 2.0 and Exif 2.31*. *Supports time difference information. |
Image Format | RAW: RAW / C-RAW JPEG / HEIF: L / M / S1 / S2 Movies
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Folder | When a card is inserted, the following folders are created automatically. DCIM, CRM, XFVC, and MISC folders |
Folder Actions | Select folder, Create folder, Change folder name |
Still Photos | DCF standards compliant. The following folder is created automatically in the DCIM folder.
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Movies | XF-HEVC S / XF-AVC S format REEL_**** in XFVC folder A normal movie file (MP4) is saved. REEL_**** in CRM folder A RAW movie file (CRM) is saved. In each REEL_**** folder: * Up to 999 files can be saved in one folder. When [Add News Metadata: On], an XML file is saved to the same location as the movie file in the card after movie recording. | ||||||||||||||||||
News Metadata | XF-HEVC S / XF-AVC S format News Metadata is saved in the XMLTAG folder in the currently selected card. * Up to 100 XML files can be saved in one XMLTAG folder. | ||||||||||||||||||
Image type / recording format / extension |
*1: When MP4 movie is recorded with [Add CP file: Enable], “.CPF” file will be created. | ||||||||||||||||||
News Metadata | NewsML-G2 standard compliant When [Add News Metadata: On] is set, news metadata (XML file) of the movie associated with the set news metadata is generated. * The name of the generated XML file is the same as the name of the movie file (only the extension differs). * The news metadata (XML file) is saved to the same location as the movie file in the card after movie recording. *When news metadata has been set from Content Transfer Professional, the news metadata set from the card inserted in the camera is disabled (that of the app has priority). |
File Numbering Methods | Continuous numbering: The numbering of captured images continues even after you replace the card. Auto reset: When you replace the card, the numbering will be reset to start from 0001. If the new card already contains images, the numbering will continue from the last recorded image in the card. |
Manual Reset | Resets the file number to 0001, and creates a new folder automatically. * When manually resetting the file number, folders can also be renamed. |
Clip Number | Continuous numbering: The numbering of captured clips continues from the last recorded clip even after you replace the card. Auto reset: When you replace the card, the numbering will be reset to start from 001. If the new card already contains clips, the numbering will continue from the last recorded clip in the card. |
Recording Media | Card 1: CFexpress memory card
Card 2: SDXC/SDHC/SD memory card
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Card Access Indicator | Access lamp lights up in red or blinks in red |
Read Error Warning | The error warning is displayed in the viewfinder and on the screen Shutter release lock |
Card Formatting | Normal formatting Low-level formatting |
CFexpress | Unlimited | ||||||||||||||||
SDXC/SDHC/SD |
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No Card Warning | Supported | ||||||||||||||||
Shutter Release without a card | Supported |
Image Size | RAW: RAW / C-RAW JPEG / HEIF: L / M/ S1 /S2 |
HEIF | HEIF recording is available when [HDR shooting (PQ): HDR PQ] is set. * Conforms to MIAF (multi-image application format) standards. |
C-RAW | RAW images conforming to the CR3 format that have smaller file sizes.
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Dual Pixel RAW shooting | Not supported |
JPEG/HEIF image quality | The degree of compression is user-configurable in a range of 1–10 for each image size * The number of shots available at the specified JPEG or HEIF image quality level is displayed on the camera. |
Still photo cropping / aspect ratio | Full-frame / 1.6x (crop) / 1:1 (aspect ratio) / 4:3 (aspect ratio) / 16:9 (aspect ratio) * Switching between [Shooting area: Masked/Outlined] is possible |
Recording Pixel Count |
* 1: Angle of view of approx. 1.6 times the indicated focal length. | |||||||||||||||||||||||||||||||||||||||||||||||||
Image Type |
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Gamma / Color Space |
*1: When connected to an HDR compatible monitor | |||||||||||||||||||||||||||||||||||||||||||||||||
Video signal range |
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RAW+JPEG/HEIF simultaneous recording | Simultaneous recording of any combination of RAW/C-RAW images and JPEG/HEIF images is supported. | |||||||||||||||||||||||||||||||||||||||||||||||||
One-touch switching of image quality | Available * Can be assigned to a preferred button in [Customize buttons for shooting]. | |||||||||||||||||||||||||||||||||||||||||||||||||
Digital tele-converter | Not Supported |
Mechanical shutter/ Electronic first-curtain |
*1: Number of shots available and maximum burst for CFexpress cards apply to 325 GB CFexpress cards conforming to Canon testing standards. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Electronic shutter |
*1: Number of shots available and maximum burst for CFexpress cards apply to 325 GB CFexpress cards conforming to Canon testing standards. |
Proxy Movie | The recording format and movie recording size of the proxy movie are set automatically as shown in the table below depending on the recording format and movie recording size of the main movie.
* The angle of view and frame rate of the proxy movie are the same as for the main movie. | ||||||||||||||||||||||||||||||
Movie recording size and resolution |
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System frequency (previously video system) | 59.94 Hz: NTSC / 50.00 Hz: PAL | ||||||||||||||||||||||||||||||
Image quality | High-quality 4K movies from 8K oversampling
High-quality 2K movies from 4K oversampling
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Movie Cropping | The recording format and movie recording size of the proxy movie are set automatically as shown in the table below de-pending on the recording format and movie recording size of the main movie.
*1: With [High Frame Rate: Disable] setting, movie is recorded with audio and the movie is played back at actual speed. With [High Frame Rate: Enable] setting, no audio is recorded and the movie is played in slow motion at 29.97 fps (NTSC) !25.00 fps (PAL) when played back. Only exFAT-formatted cards can be used for recording (recording to FAT32-formatted cards is not possible). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Movie recording angle of view |
* 100% angle of view for still photos (JPEG/HEIF). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
High Frame Rate (movie) | Disable / Enable
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HDR movie mode | An HDR movie is created with a single exposure. Unnatural afterimages do not occur when, for example, shooting a moving subject. The shooting of movies with reduced clipped highlights is possible even in high contrast scenes. HDR Movie Recording: Enable / Disable Shadow compensation: Off /Standard / Brighter Satulation: -4 / -3 / -2 / -1 / 0 / 1 / 2 / 3 / 4 Limitation of maximum brightness: Disable / 1000 nits * Can be set in conjunction with [HDR PQ shooting: PQ]. |
Main movie | HDR movie mode in combination with the following is available.
*1: High Quality Intra cannot be selected for compression method. |
Proxy Movie |
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Movie with cropping |
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Restrictions for HDR movie mode | * ISO 800 - ISO 128000 are settable for the ISO speed, and expanded ISO speeds cannot be set. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Special scene mode | Not supported |
Still & movie | Dual shooting (still & movie): On/Off
Drive mode: High speed / Low speed / Single shooting
JPEG quality: 1–10 (settable in 10 levels) |
Movies | Main recording format: XF-AVC S YCC420 8 bit Movie recording size
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Still Photos | Recording pixel count: 7680×4320 Aspect ratio: 16:9
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Restrictions with dual shooting | * With Movie crop setting or when using an RF-S / EF-S lens and RF5.2mm F2.8 L DUAL FISHEYE, the <A+> mode cannot be set. |
Settings | (1) Auto (Ambience priority/White priority)
*1: Effective also in twilight and sunset. |
Auto White Balance | Option between ambience priority and white priority settings, using SET button |
White Balance Shift | Blue/amber bias: ±9 levels
WB Bracketing available, up to ±3 levels Blue/amber or magenta/green, via Quick Control Dial |
Type | OLED color electronic viewfinder; 0.5-inch, approx. 9.44 million dots |
Coverage | Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 25mm eyepoint). |
Magnification / Angle of View | Approx. 0.90x / Approx. 41.4 degrees (with 50mm lens at infinity, -1 m-1) |
Eye Point | Approx. 25mm (at -1 m-1 from the eyepiece lens end) |
Dioptric Adjustment Range | Approx. -4.0 to + 2.0 m-1 (dpt)* *1: Dioptric adjustment lock mechanism |
Viewfinder Information | (1) Maximum burst |
Focus Method | Dual Pixel CMOS AF |
Number of AF zones available for Automatic Selection | AF area: Horizontal: Approx. 100% x Vertical: Approx. 100% Stills: Max. 1053 zones (39 x 27) Movies: Max. 975 zones (39 x25) |
Selectable Positions for AF Point | AF area: Horizontal: Approx. 90% x Vertical: Approx. 100% Stills: Max. 5850 positions (78 x 56) Movies: Max 4500 positions (90 x 50) * May vary depending on settings.. |
Focusing brightness range (still photo shooting) | EV –7.5 to 21 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, and ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating. |
Focusing brightness range (movie recording) | 4K30p: EV -5.5 to 21 Full HD30p: EV -5.0 to 21 * Except RF lenses with a Defocus Smoothing (DS) coating. |
Available AF Areas |
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Available Subject Detection |
* Certain types of animals or vehicles may not be detected, depending on shape and appearance |
Eye Detection | Auto:
Right Eye:
Left Eye:
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Metering Modes | Real-time metering from CMOS image sensor (6144 96x64] metering zones) (1) Evaluative metering (AF point-linked) | |||||||||||||||||||||
Metering Range | EV -3 to 20 (at 73°F/23°C, ISO 100) (Still Photo Shooting) | |||||||||||||||||||||
Exposure Modes |
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ISO Speed Range | Manually Set
* When set to [Highlight tone priority], the available manual setting range is ISO 200–102400.
ISO Auto range settings in still photo shooting
ISO Auto details in still photo shooting
*1: ISO 200 when set to [Highlight tone priority: Enable/Enhanced]. | |||||||||||||||||||||
Exposure Compensation |
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AE Lock | 1) Auto AE lock
(2) User-set AE lock
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Type | Electronically controlled focal-plane shutter (1) Electronic first curtain
* Cannot be used in conjunction with the following functions: flash photography, HDR shooting, multiple exposures, Multi Shot Noise Reduction, AEB, HDR PQ, anti-flicker shooting, Dual Pixel RAW shooting, Digital Lens Optimizer [High]. |
Shutter Speeds | Mechanical / 1st-curtain Electronic shutter: 1/8000th sec – 30 seconds, in 1/3 or ½-step increments Electronic shutter: 1/64,000th sec – 30 seconds, in 1/3 or ½-step increments |
X-sync Speed | Mechanical Shutter: 1/200 sec. Elec. 1st-curtain: 1/250 sec. |
Shutter Release | Soft-touch electromagnetic release |
Self Timer | 10-sec. delay, 2-sec. delay, Continuous |
Still Photo IS | In-body IS operation can be selected when using a non-IS lens.
Coordinated IS when used with Canon RF or RF-S lenses having optical Image Stabilization |
Accessory Shoe | Canon Multi-function accessory shoe
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E-TTL balance | Ambience priority, standard, flash priority |
Flash Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
Continuous flash control | E-TTL each shot / E-TTL 1st shot |
HDR Shooting (HDR PQ) | Disable / HDR PQ | ||||||||
Still Photo HDR PQ |
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Movie HDR PQ |
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Continuous HDR Shooting (still images) | 1 shot only / Every shot |
Maximum shooting Times |
* Longest time available per recording. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
File Format | Normal Movies
* When the main recording format is RAW, the format is LPCM / 24 bit / 4CH. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Estimated Recording time, Movie Bit Rate and File Size | RAW, 8K-DCI Normal / 8K-UHD Normal
1 v90 SD card speed or CFexpress 2.0 speed required | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Estimated Recording Time, Continued. |
1. Requires CFexpress 2.0 Type-B [400MB/sec. or more] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Card Performance Requirements | 4K-DCI Normal / 4K-UHD Normal
1 v90 or higher SD card speed required. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Video AF | Dual Pixel CMOS AF; Movie Servo AF available in AF Menu | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Time Code | Yes (Count up, Start time setting, Movie recording count, Movie play count, HDMI time code on/off, HDMI rec. command on/off, Drop frame enable/disable) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Movie Pre-recording (On/Off) | 3 or 5 seconds; user-selectable | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Time-lapse Movie Setting | Interval 2 sec – 99:59:59; Number of frames 2–3,600; Movie recording size 4K/Full HD; Auto exposure fixed @ first frame/auto for each frame; Beep per frame recorded (volume setting 0/silent – 5) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Time-lapse Playback Frame Rate | 29.97 (set to NTSC); 25.00fps (set to PAL) |
Type | TFT color, liquid-crystal monitor |
Monitor Size | 3.0-inch (screen aspect ratio of 3:2) 2.95 in./7.5cm diagonal (2.44 in./6.2cm width, 1.65 in./4.2cm height) |
Dots | Approx. 2.1 million dots |
Coverage | Approx. 100% vertically/horizontally |
Brightness Control | Manually adjustable to one of seven brightness levels |
Touch-screen Operation | Supported for AF Point selection; Touch AF; Touch Shutter; Menu selection; Quick Control Menu; Magnified view |
Coating | Clear View LCD II
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Interface Languages | 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese) |
Display Format |
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Highlight Alert | White areas without image data blink in single-image display. | ||||||||||||||||||||||||||||||
Histogram | Brightness / RGB |
Function | The Quick Control screen can be accessed by pressing the Quick Control button during shooting, recording, or playback. |
Quick Control Screen | The following settings are available for the [Quick Control screen] during movie recording.
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Protection | (1) Single image (select image)
(5) All found images (only during image search) |
Erase | Except protected images (1) Select images to erase |
Compatible Printers | Direct printing from camera not supported |
DPOF | Compliant to DPOF Version 1.1 |
Standards Compliance | IEEE 802.11b/g/n/a/ac | ||||||||||||||||||||||||||||||||||||||||||||||||
Transmission Method | DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n/a/ac) | ||||||||||||||||||||||||||||||||||||||||||||||||
Transition Frequency (Central Frequency) | 2.4 GHz band Frequency: 2412 to 2462 MHz
5.0 GHz band Frequency: 5180 to 5825 MHz
6.0 GHz band | ||||||||||||||||||||||||||||||||||||||||||||||||
Connection Method | (1) Camera access point mode | ||||||||||||||||||||||||||||||||||||||||||||||||
Security | 2.4 GHz band / 5 GHz band
6 GHz band
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Communication with a Smartphone |
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Remote Operation Using EOS Utility | The camera can be controlled via Wi-Fi® or USB, with Canon EOS Utility software installed in a compatible Mac or Windows computer. | ||||||||||||||||||||||||||||||||||||||||||||||||
Print from Wi-Fi® Printers | Not supported. | ||||||||||||||||||||||||||||||||||||||||||||||||
Send Images to a Web Service | image.canon: Video files (MP4) and JPEG, HEIF, RAW or C-RAW still images can be uploaded to image.canon servers. From image.canon, images can be sent to specific social media and 3rd-party cloud image services. |
Standards Compliance | Bluetooth Specification Version 5.0 compliant (Bluetooth Low Energy technology) |
Transmission Method | GFSK modulation |
Bluetooth Pairing | Smartphone — up to 10 devices; BR-E1 remote controller — 1 unit |
Available Functions | Dial direction during Tv/Av; Control ring rotation direction; Customize buttons; Customize dials |
USB Video Class (UVC) | Available * The camera is accessible to software (such as Zoom™, MS Teams™, Skype™, etc.) on a computer once connected via USB. | ||||
Custom Controls | Customizable Buttons
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Customizable Dials |
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My Menu Registration |
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USB Terminal | Equivalent to SuperSpeed Plus USB (USB 3.2 Gen 2)
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HDMI Out Terminal | HDMI OUT terminal (Type A)
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Clean HDMI Output | Provided |
Microphone terminal | 3.5mm diameter stereo mini jack |
Headphone terminal | Compatible with 3.5mm diameter stereo mini-plug |
Battery | Canon LP-E6P battery pack (LP-E6NH/LP-E6N can also be used but functionality is limited)
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Optional Battery Grip | Compatible with Canon Battery Grip BG-R10 (Accepts one or two LP-E6NH, LP-E6N, or LP-E6 battery packs) |
Battery Check | Automatic battery check with 6-level display when the power switch is turned ON. Battery info display in Set-up Menu:
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Start-up Time | Approx. 0.4 sec.
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Dimensions (W x H x D) | Approx. 5.45 x 3.87 x 3.48 in. / 138.4 x 98.4 x 88.4mm
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Weight | Approx. 1.5 lbs. / 670g (including battery, SD memory card; without body cap) Approx. 1.3 lbs. / 588g (body only; without battery, card or body cap) |
Working Temperature Range | 32–104°F / 0–40°C |
Working Humidity Range | 85% or less |
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Take a look at the product specifications in more details with this document.